Poetry by James Weil
A sampling of poetry by James Weil, 1952–2006.
- 72 Inventions (1952)
James Weil’s first published book of poetry, which included an introduction presenting his theory on the metaphysical element in poetry.
Vantage Press, Inc. — New York
- 73 Jacque’s Geometry (1988)
Monotype Spectrum type. Signed by Weil and Carol Blinn. 100 copies.
Warwick Press — Easthampton, Massachussetts
A fine private press operated by Carol J. Blinn
- 75 Fragment of An Autumn Dialogue (1973)
Designed by Tony Weil. Printed by Tony Weil, Fieldston School printshop, New York. Joint composition of James L. Weil and Felix Stefanile; published jointly with the Elizabeth Press. 100 copies.
Sparrow Press — West Lafayette, Indiana
Operated by the poet Felix Stefanile and his wife, Selma
- 76 Uses and Other Selected Poems (1981)
Dante type. Designed by Martino Mardersteig. Printed by the Stamperia Valdonega, Italy. Etching by Eugene G. Canadé. Includes signed holograph poem.
Sparrow Press — West Lafayette, Indiana
- 77 Founding Fathers (1997)
Typography by Jerry Kelly.
Origin Press — Kyoto, Japan
Operated by the poet Cid Corman
- 78 Bill’s Shaker Chair: Poems 1992–1995 (1996)
Bembo type. Designed by Jerry Kelly. Printed by the Stinehour Press, Vermont. Copy E of 26 lettered copies of a total edition of 176 copies.
Kelly-Winterton Press — New York
Operated by book designer and typographer Jerry Kelly
- 79 Arts Of The Book (1988)
Zapf-Antiqua type. 100 copies.
Kelly-Winterton Press — New York
- 80 Flanders Field 1914/1996 (1997)
Weiss type. 75 copies.
Kelly-Winterton Press — New York
- 81 Gregory’s Last Stand and Other Lasts: Poems 1999–2000 (2001)
Bembo type. Designed by Jerry Kelly. Printed by Michael and Winifred Bixler, Skaneateles, New York. 176 copies.
Kelly-Winterton Press — New York
- 82 The Barn Mother Loved to Paint. Poems 2001–2002 (2003)
Bembo type. Designed by Jerry Kelly. Printed by Michael and Winifred Bixler, Skaneateles, New York. Title page calligraphy by Jerry Kelly.96 copies.
Kelly-Winterton Press — New York